Wade on Birmingham

Archive for 'Culture'

The Birmingham channel: Songs of summer

Monday, August 10th, 2015

A look at Birmingham in videos …

Twerking (our vertical video of the week). From Normani Hamilton.

•

Legacy Credit Union at SlossFest. From Telegraph Branding.

•

Youth Day at New Vision Christian Church in Helena (our other vertical video of the week). From Chenelle Williams.

•

Pop singer Bea Miller performs “Fire and Gold” July 26 at the BJCC Concert Hall downtown. From laureguixxo.

•

Kids at an English camp in the Czech Republic say “hello” to friends at Faith Presbyterian Church in North Shelby County. From Potts.

•

Drone footage of Vulcan Park. From Drone Ambassador.

•

Springville country singer Jackson Capps performs “High and Lonesome” and “Alabama White Trash Karaoke Wanna” on Birmingham Mountain Radio. From MJE Music Group.

•

Big Spoon Creamery finding ice cream sandwich niche in Birmingham. From ABC 33/40.

•

Confessions of a new teacher. From Laura Luo.

•

An update on the construction at the Lyric Theatre downtown. From Alabama NewsCenter.

•

L.A. indie rock band the Never Ending performs “Secondhand” July 26 at the BJCC Concert Hall. From Debby Ryan Czech.

•

Motorcycle road trip, summer 2009. From jjaguda.

•

Finishing the 2009 Mercedes Marathon. From Outlaw Films.

•

Phoenix rapper Mega Ran goes freestyle at Secret Stages 2015 at Matthew’s Bar and Grill downtown. From kilgoreflux.

•

Birmingham mayor William Bell speaks on the 50 years after segregation at the Vatican. From iihschannel.

•

A glimpse of the first inning from the Mississippi Braves at Birmingham Barons on July 29. From GSI.

•

A look at Girls Rock Birmingham summer camp. From Stratosfilm Productions.

•

The official SlossFest recap. From Back Down South.

•

California rocker Dustin Kensrue performs a cover of “Wrecking Ball” July 25 at Saturn in Avondale. From Drew Hulsey.

•

Off-roading with the Porsche Cayenne at the Porsche Sport Driving School. From Richard Chang.

•

Someone’s having fun with iMovie … From Major Loe.

•

A lovely evening. From Eric Morgan.

•

Chuck E. Cheese performs “Jolly Old St. Nicholas” at the Vestavia Hills location. From mario555227.

•

Pop group Fifth Harmony performs July 26 at the BJCC Concert Hall. From laureguixxo.

•

The Birmingham Community Mass Choir performs at July’s Gospel Music Workshop of America in New Orleans. From lagriddle.

•

North Carolina hip-hop artist J. Cole performs in March at Iron City on Southside. From Phillip Beasley.

•

Time-lapse footage of construction at the Lyric Theatre, with crews lifting a massive steel structure above the stage and anchoring it at the top. From Franks Global Media.

•

Rock band 311 performs “Creatures” July 28 at Iron City. From thebrookiew.

•

Visiting friends and family in Birmingham. From Carol.

•

The biggest rim shop in America. From RimTyme Birmingham.

• • •

Send us links to your videos. | More videos on the Birmingham channel.

Books: Excerpt from Emily Brown’s ‘Birmingham Food: A Magic City Menu’

Sunday, August 9th, 2015

Emily Brown, Birmingham Food

The following chapter is an excerpt from Hoover author Emily Brown’s “Birmingham Food: A Magic City Menu” [aff. link]. She is a Birmingham native and a food writer with a bachelor’s degree in English from Birmingham-Southern College and a master’s degree in creative writing from the University of North Carolina at Wilmington. She’s also a good friend of mine who once gifted me with a cookbook of her favorite recipes.

Her book looks at the vibrant food scene in Birmingham, including its roots in immigrant culture.

In this excerpt, Brown looks at a Southern and a metro favorite, barbecue.

• • •

Chapter 5, Barbecue

When it comes to barbecue, Birmingham has more than its fair share of options. Whether you prefer sandwiches or plates, traditional sides like slaw and potato salad or more modern accompaniments like organic cheese grits and sautéed local greens, there’s a barbecue restaurant serving up what you want. Local franchises can be found in any corner of the city and surrounding suburbs, and loyalty to a particular brand can sometimes be passed down through generations, much like ownership of the restaurants themselves. Supposedly more than 500 barbecue restaurants have opened in Birmingham since 1920, and though some remain only in the hearts and memories of residents, the new guys in town are earning reputations for seriously good meat.

Golden Rule

One particular brand of Birmingham barbecue grew from a small mom-and-pop establishment to a chain with popularity across the state. In 1891, in the community of Irondale, just east of Birmingham, the Williams family opened a small barbecue joint named Golden Rule BBQ, a good stop on the road to Atlanta for travelers. They served pit barbecue, specializing in pork plates, but also sold beer and cigarettes and did the occasional automobile repair as years went on. In the 1930s, two Williams sisters still ran the business when one, named Ellene, married a man named Jabo Stone, an electrician who owned Stone Electric Company. Soon Ellene brought her husband in to help with the restaurant, and the two ran it together for almost 40 years, serving the same pork plates and selling beer to the locals.

The Stones sold the original property and location of Golden Rule, with its dirt floor, shortly after taking ownership to move closer to the county line, a large spot with room for the family home behind the restaurant. This new location kept the dirt floor in the kitchen, but customers were invited to dine on the wooden floor spanning the walls of the dining room, much like a deck on top of the ground. With the expansion of U.S. 78, Golden Rule moved again and took the opportunity to modernize equipment in the kitchen as well as add metal awnings and neon signs to help with visibility from the highway. With all these changes, it’s no wonder the Stones spruced up the menu with the invention of their barbecue sandwich, which customers could order with chopped inside or outside meat or a mixture of both. The Stones ran Golden Rule when there were separate dining areas for whites and blacks, but they also ushered the business through desegregation in the 1960s.

Since Ellene and Jabo had no children of their own to pass on the business of the Golden Rule, when they were ready to retire in the late 1960s, Jabo began searching out a savvy businessman to whom to sell the restaurant, someone he could trust to keep Birmingham’s oldest continually operating restaurant going. He’d become a fan of Michael’s Sirloin Room and its proprietor Michael Matsos, so he approached him about buying the Golden Rule. Matsos eventually agreed, though he claims to have brokered their particular deal so that the Stones’ only significant payment for the restaurant was a 20-year royalty deal because he didn’t want to pay anything for the restaurant. He joked that Jabo got the better end of that deal for sure. “Jabo Stone made lots more money than I anticipated paying on the royalty,” Michael said, which must have hurt his pride a bit as a well-known sharp businessman. But Michael and his son, Charles, whom he eventually brought on to help run the business, made their own large successes with Golden Rule in franchising and selling the sauces. When the family sold a majority of the chain in 2009, there were almost 25 Golden Rule restaurants across the Southeast.

But back in 1969, when Michael Matsos first bought Golden Rule from the Stones, the restaurant had to move once again, this time due to construction of Interstate 20. This move was essentially across the street from the previous location, and the restaurant has been in the same spot for over 30 years now. The Matsoses pride themselves on selling the same pork plates and sandwiches, and this original location still sells Coke in glass bottles, something old-timers remember fondly. Michael made sure to keep the same style pit for cooking, though the current one is considerably larger than in the old days. “All the cooking is done right out there in front of the customer,” Michael said. “And he knows what he’s getting.” Matsos put his own spin on Golden Rule though, aside from the expansion. He was responsible for bringing in chicken, ribs and beef brisket to the menu and even adding french fries as a side. Each type of meat has its own special sauce to go along with it. The original tomato-based sauce for the pork plate or sandwiches has changed only slightly from the days of the Williams and Stone families, and the Matsos family has added a sweeter sauce to better accompany ribs and chicken. They’ve even developed a mustard-based sauce for customers who might have grown up with a different style of barbecue and for franchises outside the state. These changes have helped with franchising, giving Golden Rule a universal appeal, and Michael credited his son, Charles, with being instrumental to the franchising idea and process.

These days, the Golden Rule does a booming business, even selling pies, such as the lemon icebox pie, made famous at Michael’s Sirloin Room. The menu might have changed a lot from the days of pork plates and cigarettes; customers can enjoy a barbecue salad made with smoked chicken and honey mustard dressing if they’re not up for one of Golden Rule’s pork sandwiches smothered in thick barbecue sauce. And while variety might be good for business, attracting a wider range of customers, Michael knew the cornerstone of a successful restaurant is always good, friendly service. “The restaurant business as a whole is very difficult because you may have a good product, but if you don’t have good service to go with it, you have nothing,” he said. “I’ve always believed you can’t compromise quality for a price. Quality comes first. That’s been our motto, and I think we’ve been very good at it.”

In an especially Birmingham-style twist of fate, Michael’s son, Charles, who was the driving force in franchising Golden Rule and a savvy restaurateur in his own right, decided to open a hot dog restaurant in 2012: G-Dogs and Gyros. The idea came to Charles after eating hot dogs topped with his mother’s special recipe for thick and tangy sauce with his mom and dad one day. Unfortunately, Michael Matsos passed away just a few weeks before his son’s newest venture became a reality, but Charles said his dad was excited about the prospect of his casual restaurant serving their family’s version of the historic Birmingham hot dog.

Ollie’s

It’s no secret that barbecue in Birmingham can spark controversy, even if the issues only arrive in the form of debate over sauce preferences. But one longtime Birmingham barbecue institution made national history in the 1960s for a different type of controversy, namely refusing to serve African Americans at its counters and tables even after the national civil rights movement successfully brought an end to the 1914 Birmingham law requiring racial segregation in public eating places. Ollie’s Bar-B-Q in Southside put itself at the center of national discussion when it challenged the segregation law’s repeal all the way to the U.S. Supreme Court — and lost.

Ollie’s wasn’t always such a den of contention, however, and had even been a favorite spot among African Americans and Caucasians alike. In 1926, James Ollie McClung, a former Merita Bread deliveryman (when it was delivered by horse-drawn carriages), opened Ollie’s Bar-B-Q in a small wooden shack on Green Springs Highway. The original building sported a tar paper roof, plank floors and screens nailed in the windows, but the signature thin, vinegary sauce that topped trimmed, lean pork slow smoked over both hickory and charcoal for 10 hours — a process that kept the original owners and cooks working through the night — drew crowds from the predominantly African-American neighborhood in which the restaurant resided as well as from surrounding areas. The McClungs claimed the slow-cooking process, which encouraged any remaining fat in the meat to drip down onto the coals and further flavor the smoke, made their barbecue the “World’s Best.” The barbecue stand found such success that the McClungs had to expand in 1949 and again in 1959, passing the responsibilities of the restaurant down to a second and third generation.

In 1964, James Ollie’s son and grandson Ollie Sr. and Ollie Jr. ran the business, closing on Sundays to show their conservative principles and placing signs on every table that read, “No profanity please. Ladies and children are usually present. We appreciate your cooperation.” White customers made up the restaurant’s base, and regulars could be served at the tables. But even after repeal of the restaurant segregation law, the McClungs continued to serve African Americans only takeout from the end of their counter. By the end of that year, the Ollie’s case ended in the Supreme Court, where the law requiring that “all persons shall be entitled to the full and equal enjoyment of the goods, services, facilities, and privileges, advantages, and accommodations of any public place of accommodation … without discrimination or segregation on the ground of race, color, religion or national origin” was upheld. A major victory for the civil rights movement, the ruling inspired Reverend Edward Gardner of the Alabama Christian Movement for Human Rights to remark, “There will be no more sit-ins, but from now on there will be walk-ins.”

The McClungs and Ollie’s Bar-B-Q complied and continued to change with the times. In 1968, when Interstate 65 was constructed right in the path of Ollie’s, the barbecue place moved again, this time just a bit farther down Green Springs Highway to the memorable round building it occupied for the next 30 years. As Ollie Jr. took over more of the restaurant’s operations, the restaurant saw changes to the original menu as well — though never to the original sauce. Barbecued chicken and barbecue salads were added to the menu that also included a seasonal mincemeat pie (with meat). In the early 1970s, the McClungs also began bottling and selling their sauce, which sold well at select locations. By 1999, Ollie’s Bar-B-Q had moved once again, this time to the city of Pelham, about 20 minutes south of downtown Birmingham. The final incarnation of Ollie’s lasted until only 2001, when declining sales and a lack of long-term interest by younger family members to maintain the business forced it to close. But despite the troubled history of Ollie’s, the restaurant is still remembered fondly by many, as evidenced by the continued sales of its unique sauce.

Jim ‘N Nick’s

Nick Pihakis of Jim ‘N Nick’s Bar-B-Q has wanted to be in the restaurant business since he was 15 years old. At age 19, he started working at Rossi’s, one of Michael Matsos’ establishments, and stayed there for the next 8 years, learning the trade. By then his father, Jim, was ready to retire from his career in insurance and suggested they start a family business together. Nick jumped at the chance to join his father in living out his restaurant dream, and in 1985, they purchased a pizza franchise. The company’s corporate headquarters decided not to allow transfer of the franchise and asked them to take down the signs, basically to cease and desist, which is when Nick and his father decided to try their hands at a Southern tradition: barbecue. They hired a former cook from Ollie’s to come and teach them everything he knew about cooking pit barbecue. Once they had their technique down, customers started coming in, though for the first few months the restaurant operated without a name or a sign. Nick said he and his father kept polling their customers, asking for suggestions for the new restaurant’s name. Most suggested they name it after themselves since they were always around, and Jim ‘N Nick’s was born. Soon, they expanded to a second location in the over-the-mountain neighborhood of Riverchase in Hoover, and once suburbanites got a taste of Jim ‘N Nick’s delicious food, which they could easily enjoy at night and on the weekends, the restaurant’s growth really began. As of 2014, there were 34 Jim ‘N Nick’s restaurants around the country, each owned in partnership with a local, and five more are expected to open in 2015.

Now Nick focuses on a business philosophy he calls “lateral service,” which essentially means he believes in taking care of his employees, nurturing them, teaching them and helping them achieve their goals, which translates into good service and a good experience for the customers. Even with 3,500 employees, Nick still considers Jim ‘N Nick’s to be just a big family, and he believes in treating everyone as such. To him, barbecue has always been about family and sharing good food and good times with friends, forging those connections between people over a plate of food of which everyone involved can be proud.

Aside from cooking really great barbecued pork and smoked chicken with traditional sides like greens, macaroni and cheese and more, Jim ‘N Nick’s is famous for its addictive cheese biscuits. Each party gets a basket of these buttery mouthfuls served when it is seated, but customers often keep asking for more and often have to wait while a new batch comes out of the oven. Everything is done fresh at Jim ‘N Nick’s. The restaurants don’t even have freezers. Nick says that when they hire people who have come from a chain restaurant background, they basically have to teach them how to cook. He has some quality help at his Southside location, however. Harry Pasisis, who ran Tom’s Coney’s hot dog stand from the 1950s to the 1980s, still comes in a few mornings a week to prep sauces and cheese biscuit batter and a few other things. Nick got to know Harry growing up in the Greek church and said their families have been great friends ever since he can remember.

Though Nick didn’t grow up in the restaurant business like a lot of second- and third-generation Greek immigrants in Birmingham, he does recognize the tradition he’s continuing by owning such a successful restaurant business for almost 30 years. Jim Pihakis was the first generation of Pihakis men born in America, after his parents immigrated to Pennsylvania from Greece. His job in insurance transferred him to Birmingham, which is where Nick grew up, among a community of Greeks who were mainly in the produce, hot dog or restaurant business. Some, like Michael Matsos, even owned her. “It’s about the experience more than it is just about the food. We connected with it. We understood it. I understood food.”

In fostering a sense of personal pride in his employees and local owners, Nick has empowered them to give back to their own communities in meaningful ways. Part of Jim ‘N Nick’s agreement with its local owners is that at least 1 percent of sales will go to support community outreach programs. The company does not advertise, relying instead on these outreach programs focused in schools and churches and on teaching children and adults more about healthy eating to gain name recognition in each neighborhood. In Birmingham, Nick sits on the board at both Jones Valley Teaching Farm and Pepper Place Farmers’ Market, two places dedicated to increasing the quality of and access to healthy food in our community, as well as educating people, whether through classes or cooking demonstrations, about better food choices. (Both organizations are covered in a later chapter.) “Our goal is to develop the next generation to be good servants to the community,” Nick said.

As a companion to service and outreach, serving the best-quality food available is also at the core of Jim ‘N Nick’s philosophy. “We want to always use the best-quality food we can afford and buy local as much as we can,” Nick said. Honesty in preparation and choosing the best recipes for its guests extends beyond the food served in Jim ‘N Nick’s restaurants, too. Since 2003, Nick and his restaurants have cultivated a close relationship with the Southern Foodways Alliance, a group dedicated to recording and preserving the history of Southern foodways, a process that encourages conversation and a democratic atmosphere in which change and growth can come about. Through this relationship with the Southern Foodways Alliance, Nick and a group of other chefs, restaurateurs and writers have formed the Fatback Collective, an organization whose members come together to learn, share and help one another. The Fatback Collective has competed in the Memphis in May barbecue competition and also helped rebuild two barbecue restaurants that burned down, but its biggest enterprise of its brief existence has been the Fatback Pig Project. No longer satisfied with just serving the community through their restaurants, Nick and the Fatback Pig Project have purchased a pig-processing plant in northern Alabama to try to fill the gap left in pig farming and processing since Bryan Meats closed in Mississippi. They’re trying to find a steady and sustainable market for farmers to grow heritage breed hogs. Then the plant processes the meat into things like bacon for Chef John Currence’s Big Bad Breakfast, which opened a second location in Birmingham, and Donald Link’s Cochon. The final goal for the group is to market its higher-quality product for wholesale. “We feel like we can carve a niche out,” Nick said. “With our buying power, we felt like we could make a difference putting farmers back to work.”

The fact that Birmingham is home to two distinct and successful barbecue chains with appeal beyond the state just proves that it’s more than the food that makes customers loyal to a restaurant. With Jim ‘N Nick’s, the warmth and communal spirit honor the particularly Southern spirit of hospitality while the focus on quality and sustainability for the future of hog farmers across the region brings the restaurants into the forefront of modern food concerns. Considering the first Jim ‘N Nick’s opened just a few short years after Frank Stitt began his crusade to make Birmingham a notable food town and the fact that Jim ‘N Nick’s has flourished for this long, the future of barbecue in Birmingham is in good hands.

Saw’s

Speaking of the future of barbecue in Birmingham, one of the newest and most original and forward-thinking barbecue franchises around town still maintains a steadfast connection to traditional roots, even when it comes to its unique vinegar-based sauce. Since Mike Wilson first opened Saw’s BBQ in Homewood in 2009, Birmingham residents have been clamoring for his pulled pork, smoked chicken, savory sauces and traditional sides, which is impressive in a market already known for lots of great barbecue. And with Mike’s expansion into two other restaurants, Saw’s Soul Kitchen and Saw’s Juke Joint, plus a food truck, Saw’s Street Kitchen, it’s clear that Birmingham can’t get enough of his artful and unpretentious food served with soul. Mike came to Birmingham initially in 2000 to work in the test kitchens at Cooking Light magazine, one of the publications put out by Southern Progress in Birmingham. At the time, Birmingham was just beginning to see an awakening in terms of notable high-end cuisine, but there weren’t a lot of non-chain, casual places to eat that still offered quality eats. In his native North Carolina, Mike had often spent weekends off from his job as sous chef at Dean and Deluca barbecuing with friends, experimenting with different cuts of meat, smoking times and eventually coming around to mixing his own rubs to season and color the meat. “I’m one of those guys trying to make everything homemade,” Mike said. So eventually, he even developed his own sauces, which are vinegar based, like those from Ollie’s were long ago. Once Mike came to work at Cooking Light, he still kept up his weekend hobby of smoking meat, and occasionally, he’d bring in leftovers to share with his co-workers. Word got out, friends raved and begged for more and Mike started thinking about finding a food truck so he could sell his barbecue more professionally at nights and on the weekends when he wasn’t at the test kitchens. A photographer friend suggested a space in Homewood for Mike’s commissary kitchen, something he’d need if he could find a food truck to purchase, but since it was so close to Broadway Barbecue, he balked, not wanting to step on anyone’s toes. Mike did like the Broadway Barbecue space, though, and mentioned on a Thursday he’d be interested in buying it if the owner ever felt like selling. By the next Tuesday, the deal was done, for less money than it would have cost to start up a food truck, and Mike took 2 weeks off from Cooking Light to open his Saw’s BBQ restaurant, keeping all the equipment from Broadway and even keeping on two employees, one of whom, Ms. Anna, runs the Homewood location still. By the end of those 2 weeks, Mike knew he couldn’t return to his job at the magazine. The restaurant was an immediate success.

Saw’s BBQ is small, like an old-school barbecue joint. Aside from the delicious meat, which Mike says stands out because he doesn’t chop it, it’s all pulled, customers enjoy traditional sides like greens, macaroni and cheese, corn, deviled eggs and more. The place felt immediately like it had been around forever and is warm and inviting with its close tables and smoky scent wafting to the street. “I try to take care of the little things and instill it in other people I work with,” Mike said when asked why he thinks he had such immediate success. “You’ve got to take care of the little things, and the big things will come. It’s all about the food, to me.” He also takes pride in the fact that they serve the same ingredients, from the same places, that high-end restaurants around town use.

Mike’s second location, Saw’s Soul Kitchen in Avondale’s newly vibrant neighborhood, came about just as much by chance. A friend suggested Mike meet Brandon Cain, a former chef de cuisine at Ocean who was ready to go out on his own in the restaurant business. They started talking with Coby Lake, one of the brothers who owns Avondale Brewing Company, an anchor in the neighborhood, and bought the spot with all the kitchen equipment and utensils almost the second they saw it, knowing it would be perfect for Mike’s dream of a casual restaurant with great hamburgers and seafood sandwiches, plus his barbecue. The standout at Saw’s Soul Kitchen, however, is the pork and greens. Perfectly seasoned and sauced pulled pork sits on top of a bed of cooked greens and creamy cheese grits, all topped with crispy, thin onion rings. When Alton Brown came to town in 2014, he raved about the ribs at Saw’s. The third Saw’s location, Saw’s Juke Joint, opened in the Crestline neighborhood in 2012 and allows Mike and his partners Doug Smith and “American Idol” winner Taylor Hicks to combine the signature Saw’s flavors with the atmosphere of a fun, neighborhood bar. The latest Saw’s iteration is the food truck, serving a mobile version of customer favorites like huge, deliciously messy burgers and bringing Mike’s restaurant dreams full circle back to a food truck.

Always on the move and looking for his next opportunity has helped Mike find spaces for new concepts and expansions of his brand at the right time, every time. His partnership in Post Office Pies, the new artisan pizza joint down the street from Avondale Brewing and the Soul Kitchen, has gained national attention for Birmingham and the restaurant’s chef and partner John Hall. John Hall is a Birmingham native but spent time at Momofuku Ssäm Bar in New York after culinary school. While in New York, John ran a bike-delivery pizza restaurant out of his apartment kitchen, and his love for crafting pizzas was born. Post Office Pies is a modern take on a classic, with toppings like house-made sausage and local vegetables on wood-fired crusts, but they keep a foothold in tradition with the restaurant’s booths, which came from the old Michael’s Sirloin Room. Within months of opening, Post Office Pies was named one of the Top 33 pizza places in America by Thrillist.com, and Chef John Hall was featured in the New York Times, high praise indeed.

With hints that expansion into other states, in some form, is in the works for Mike, he’s poised to become one of the more recognized chefs and restaurateurs from Birmingham. But his humble and grateful attitude makes Mike’s successes well deserved. “Without the customer you don’t have any of this,” Mike said. “It’s just about right and wrong. If you’re not going to serve that plate to your mother, don’t serve it to my guests.” He believes in treating people right and treating people fair, from the customers to his staff. “You’ve got to be honored,” Mike tells his staff. “These people worked hard for their money and are going to spend it on something we’ve created.” Birmingham has definitely been welcoming to Mike, and he’s grateful. “I’m thankful people in Birmingham embrace us and are adventurous … I think [Birmingham’s] changing for the good, and it’s only going to get better.”

• • •

Emily Brown has her launch party for “Birmingham Food: A Magic City Menu” from 5 to 7 p.m. Tuesday at the Alabama Booksmith in Homewood. Upcoming signings include 11 a.m. to 2 p.m. Sept. 18 at Chickadee and 10:30 a.m. to 1 p.m. Oct. 18 at Birmingham Bake and Cook Co., both in the Cahaba Heights neighborhood of Vestavia Hills.

“Birmingham Food: A Magic City Menu” (Aug. 3, Arcadia Publishing)

Emily Brown

The Birmingham channel: With the windows rolled down

Monday, August 3rd, 2015

A look at Birmingham in videos …

“Havoline Football Saturdays” aired a report last week called “Ever Faithful — The Resurrection of UAB Football.” From Raycom Sports.

•

The Raycom report didn’t mention the behind-the-scenes power struggle between UAB and the UA Board of Trustees, but host Tim Brando included this note following the segment. From Joey Watson.

•

The Regional Planning Commission of Greater Birmingham and UAB Sustainability created this bike safety video. From UAB Digital Media.

•

Reporter Jack Royer remembers Birmingham radio legend Doug Layton. From Jack Royer.

•

Springville country singer Trey Lewis performs “Back in Birmingham.” From Trey Lewis.

•

“Dining Out With Comedienne Joy” on the 2015 Taste of Birmingham. From Comedienne Joy.

•

UAB at No. 10 Oklahoma, Sept. 2, 2006. From Tim Bliss.

•

A day at the driving range with John Wesley Hardin Jr. From Zaida Ricklen.

•

Rock band Def Leppard performs “Love Bites” in June at Oak Mountain Amphitheatre in Pelham. From d bear.

•

Center Point’s Dan Sartain performs “Sinking in the Shallow End” at the Syndicate Lounge downtown. From Spectra Sonic Sound Sessions.

•

A look at Birmingham-Southern tailbacks Shawn Morris, Joe Moultrie, Isaac Nichols and Samir Usman. From T7GTTMvids 16.

•

Memphis rapper Young Dolph visits Birmingham. From RobGreenTV.

•

Nashville rapper Jelly Roll signing autographs after his show in July at Zydeco on Southside. From 226 Film Production.

•

A glimpse of the March Quilts, more than 450 squares sewn into seven quilts to commemorate the 50th anniversary of the Selma-to-Montgomery marches and the Voting Rights Act of 1965. From the UAB Department of Art and Art History.

•

Feeding giraffes at the Birmingham Zoo, shot on a head-mounted GoPro. From Mrs. Mitch.

•

Summer days of fun. From Marison and Micah Clayton.

•

Promo for the Lego Americana Roadshow Tour, coming Aug. 20 to the Riverchase Galleria in Hoover. From General Growth Properties.

•

North Carolina indie pop duo Sylvan Esso performs “Coffee” in March at WorkPlay in Lakeview. From Jeff Paiml.

•

Demo reel for sports anchor/reporter Melissa Kim at WIAT 42. From Melissa Kim.

•

Georgia rapper Young Hustla performs at the High Note on Southside. From Young Hustla.

•

Jitney cab. From Steve K.

•

Driving through Southside and Hoover. From Luz Clemente.

•

Playing Breakout Birmingham. From Scott Neumann.

• • •

Send us links to your videos. | More videos on the Birmingham channel.

Books: Excerpt from Carla Jean Whitley’s ‘Birmingham Beer: A Heady History of Brewing in the Magic City’

Sunday, August 2nd, 2015
Carla Jean Whitley, Birmingham Beer

Cheryl Joy Miner

The following chapter is an excerpt from Birmingham author Carla Jean Whitley’s “Birmingham Beer: A Heady History of Brewing in the Magic City” [aff. link]. She is a features reporter at Alabama Media Group, a freelance writer and a journalism instructor at the University of Alabama and Samford University, plus a good friend.

This is her third(!) book in 13 months, and the second to be featured on this site. (Read an excerpt from her book, “Muscle Shoals Sound Studio.”) “Birmingham Beer” traces the century-long rise and fall and rise of local brewing.

In this excerpt, Whitley takes us behind the scenes of the real battle, not in Birmingham but in Montgomery …

• • •

Chapter 6, Brewery Modernization Act

Free the Hops initially identified alcohol limit and container size as its top priorities. After the success of the Gourmet Beer Bill, the organization considered continuing along that path. However, lobbyist Michael Sullivan recommended launching the Brewery Modernization Act instead. Because 2010 was an election year, the Gourmet Bottle Bill was unlikely to see much attention. However, the brewery efforts stood a better chance as a pro-business, economic initiative.

Dan Roberts, of both Free the Hops and Alabama Brewers Guild, explained that the Brewpub Act of 1992 was insufficient because it was so difficult to find an approved location. He, too, expected fairly quick progress with the Brewery Modernization Act since it focused on business operations rather than the alcohol itself. “We are severely limiting the growth of an industry that is finding success and creating jobs in other states,” Roberts said to the Birmingham News. “It’s really about making an environment more friendly for business, which ordinarily we would all be in favor of.”

Five Alabama production breweries were in operation as the Brewery Modernization Act made the legislative rounds in 2011. But if visitors wanted to tour Good People, Madison’s Blue Pants Brewery, Huntsville’s Yellowhammer Brewing, Old Black Bear Brewing or Straight to Ale Brewing, they could admire brewing equipment without appreciating the fruit of its labor. State regulations meant breweries were unable to serve even a sample on site. And by 2011, all brewpubs had closed.

“Why are breweries and brewpubs under different legislation? At the end of the day, they both manufacture beer,” Stuart Carter said to the Birmingham News.

“Everything about it [the Brewpub Act of 1992] is set up to make a brewpub fail,” Carter told Birmingham magazine. Why should 21st-century businesses be bound to Prohibition-era precedents? The proposed legislation would loosen the historic district requirements and allow taprooms in breweries. But the Brewery Modernization Act, which passed the Senate, didn’t get a final vote in the House because time ran out.

“Alabama law will not allow us to even charge $5 for a tour followed by free beer tastings like they can at wineries. Why are we treated differently?” Craig Shaw asked the Birmingham News. Shaw was brew master at Avondale Brewing Company, which was gearing up for business as the legislation went through the 2011 session.

That wasn’t the only lost opportunity. Because of the existing laws, Alabama breweries — and therefore the state itself — missed out on tourism dollars, proponents said.

“In many states, breweries are tourist destinations. Our phones are ringing and our email inboxes are filling with travelers looking for interesting places to stop while heading to the beach, in town for business, or looking for places to take their out-of-town guests. Currently we must deny their request for tours or to sample our products at the brewery,” the Alabama Brewers Guild wrote in its statement supporting the Brewery Modernization Act.

“That’s what it’s all about — enabling Alabama business to grow,” Roberts, the ABG’s executive director, explained to the Birmingham News. “If you go to other states, taprooms are the most common things in the world. Tasting rooms and tours are the way small breweries grow their brand. When you’re dealing with beer on this level, it’s not a commodity like the big beer brands.”

“At a time when we need more job creation and economic activity, our laws are preventing growth in one of the industries that is trying to grow here,” past Free the Hops president Stuart Carter said to the Birmingham News.

“It’s taken the hard work of hundreds of craft beer makers several years to change things. Of the 50 million cases of beer sold in Alabama last year, wouldn’t it be better if more of that revenue stayed in this state?” Back Forty’s Jason Wilson asked the News.

The city’s existing brewery and brewery-in-the-making both hoped to utilize freedoms a successful bill would offer. The repeal of brewpub laws would allow for on-site taprooms at Good People, Avondale and any breweries to come.

“At the end of the day, it’s about two things: economic development and competitiveness for Alabama businesses. It’s a travesty we can’t have a group of tourists stop by our brewery, show them around, sell them a pint of beer, talk to them about our brewery and Birmingham, tell them which grocery stores carry our products and recommend a great lunch stop or a hotel. We are constantly contacted by out-of-town people wanting to stop by the brewery to buy a pint of beer, and upon our explaining the restrictions of Alabama law, I doubt many people take the exit off of I-65,” Good People brewmaster Jason Malone told Black and White City Paper. He noted that taproom revenue would help subsidize brewery growth.

Likewise, the paper noted that breweries could stimulate growth in other ways. “Avondale Brewing’s [Coby] Lake says that he and his partners advocate SB 192 because they have spent considerable dollars to renovate a building that could easily become a hotspot in a Birmingham neighborhood that has been challenged for years,” the paper’s Chuck Geiss wrote.

Free the Hops’ Gabe Harris explained in the same article:

“The Brewery Modernization Act will help create jobs and revive dying neighborhoods in local communities. In addition, this bill allows brewpubs to provide tours and samples, which in turn would increase receipts from such taxes that go straight into Alabama’s education fund. Existing data supports how the earlier legislation has benefited the businesses that are now carrying these beers and all the things that our opponents once railed against simply haven’t happened.”

Budweiser Boycott

The act’s proponents ran into another obstacle before the bill could come up for vote, and a surprising one: an area distributor. In April 2011, Birmingham Budweiser, the local Anheuser-Busch distributor, worked against the bill. Gadsden’s Back Forty Brewing co-founder Jason Wilson said distributors worried that, with breweries being allowed to sell beer on premises, larger breweries like Anheuser-Busch and Coors could challenge the three-tier system. That system requires manufacturers to sell their beer to distributors, which then sell to stores. If breweries were permitted to self-distribute, Wilson explained to the (Mobile) Press-Register, distributors could see their business decline.

Free the Hops (by then 1,700 members strong) quickly called for a boycott of all beer carried by Birmingham Budweiser, which meant not only avoiding products such as Budweiser but also national and even local favorites, including Back Forty.
Harris told Black and White City Paper:

“Anheuser-Busch and their individual distributors have every right to work the legislature against the Brewery Modernization Act. They can be opposed to a jobs-creating, economic development bill that would benefit local business. They can oppose craft beer and Free the Hops. But the craft beer community and Free the Hops can oppose them, too. Anheuser-Busch products and products from their distribution network are now banned from Free the Hops events. This will have its first big effect on the Rocket City Brewfest and will continue with the Magic City Brewfest unless the Brewery Modernization Act becomes law in a form we find acceptable. The state can support many more breweries and we think it is in the best interest of consumers, the economy and the state to see [the legislation] move forward.”

(In 2012, the Alabama Wineries Association called for a similar boycott on beers distributed by opponents to a bill that some said aimed to create an exception to the three-tier system for wineries alone.)

It wasn’t a decision Free the Hops members took easily, the organization’s Stuart Carter explained to the Birmingham News:

“The only power we have is the content of our wallets. What we’re saying with this boycott is we as consumers don’t want to be channeling profits to wholesalers who are using those profits to prevent other consumers from getting the beer we want to drink. This is hurting friends, either friends we know or friends who brew the beer we love to drink. The problem is they’re the innocents in this who are caught in the crossfire.”

Those beers would have been excluded from Huntsville’s Rocket City Brewfest and Birmingham’s Magic City Brewfest had negotiations not resulted in a compromise prior to the events. But within weeks, the parties reached an agreement. Free the Hops conceded to maintain a distinction between brewpubs and production breweries. As a result, breweries were allowed to offer tastings without restriction or an additional license, but sales were limited to on-site consumption. Draft-to-go must still be purchased elsewhere. Brewpubs, on the other hand, still faced a number of the existing restrictions. Some were modified: the historic requirement was expanded to include economically distressed areas as determined by the municipality, not just a historic building; they were allowed to sell to wholesalers for outside distribution; and while a restaurant was still necessary, the minimum seating requirement was eliminated. This compromise was necessary in part because distributors wanted the brewpub license to remain special and limited.

On the Free the Hops blog, Alabama Brewers Guild executive director Dan Roberts wrote that the bill’s sponsor, Sen. Bill Holtzclaw (R-Madison), favored the economically distressed area addition. “Does an area with an empty building — a building that would be perfect for a brewpub — constitute an economically distressed area? That’s up to a city council,” Roberts wrote.

In addressing the media, he explained that the compromise was preferable to the alternative. “It will not be everything we wanted, but it is definitely a workable solution and represents a significant improvement over the current restrictions,” he told the Birmingham News. “We were not going to get everything we wanted. The bill we ended up with is still a vast improvement over what we currently have.”

Jason Malone echoed those sentiments in an interview with the paper. “Anything in the right direction is better than the current status quo. Obviously, some compromises did have to be made, and while we would have rather not had to give up anything that we were going after, that’s not realistic.”

Moving Forward

Birmingham Budweiser became a top-level member of Free the Hops after the gourmet beer boycott, and the legislation gained forward momentum. On June 1, 2011, the Brewery Modernization Act passed the Senate and awaited Gov. Robert Bentley’s signature. Many worried that he would veto the bill, but Bentley explained that responsibilities as governor differed from those of state representative. “When I represented my local community, I voted against Sunday alcohol sales and things of that nature,” he said to the Birmingham News. “As governor, it’s a little bit different. I don’t feel I should impose my views on everybody in the state. The legislature has had a chance to look at it and passed it. I’m sure I will sign it.”

He did so, and Free the Hops again celebrated success. “It’s the biggest change in Alabama brewing laws since the repeal of Prohibition,” then Free the Hops president Gabe Harris told the Associated Press. The bill was expected to result in more breweries and brewpubs opening in the state. The bill opened up the viability of the businesses by creating additional revenue opportunities.

“The state will be able to print a beer tour map of the state where people can go from Huntsville to Mobile visiting brew pubs and breweries,” Carter said to the Associated Press.

Meanwhile, Kline also rejoiced in the organization’s success. “We went from taking 5 years on a bill to taking 2 years on a bill,” Kline said. “There was starting to be some clear economic impact from craft beer that people could see and quantify. Free the Hops had gained the reputation of only advocating bills that do good things, as opposed to bills that do bad things. So it got easier each time,” Kline said.

The economic impact was evident almost immediately: The state’s brewery production increased by 672.19 percent in the year following the bill’s passage. Following the passage of the bill, brewpubs were able to sell beer to wholesalers, which could then distribute the beer. It didn’t stop there. Between 2012 and 2013, United States breweries increased production by nearly 15 percent, and in Alabama, the growth was even more significant: at 22.35 percent. “The thing that I think has spawned all of the growth in the industry is the taprooms. That really gives you a ready revenue source rather than having to wait 30 days for a wholesaler to pay,” Good People Brewing Co. co-owner Michael Sellers told the Associated Press. He said the brewery’s taproom would create additional jobs, and his business partner, Jason Malone, indicated expectations for continued growth. “I’m excited about where the market is headed in Alabama as people get more tuned into how much better craft beer is. We’ve come a long way and I think this trend is here to stay,” he said to the Birmingham News as Avondale prepared to open.

Although Avondale debuted later that year, it was far from the last brewery to reap the legislation’s benefits. Although only five breweries existed in Alabama as the Brewery Modernization Act began circulating through the legislature, thirteen were in operation by 2014.

In 2014, Alabama Brewers Guild president and Back Forty co-founder Jason Wilson attributed that to the act. “So when you prohibit these small microbreweries from doing things like selling pints at their production facility, that’s the difference between a profitable and an unprofitable business model. The slightest restriction you impose on them can mean the difference between it being successful and failing,” he told Business Alabama. “Since these pieces of legislation have passed, we haven’t seen a single brewery shut down in the last five years. That’s a testament to the impact this legislation has had.”

• • •

Carla Jean Whitley has book signings for “Birmingham Beer: A Heady History of Brewing in the Magic City” throughout the rest of summer and fall:

  • Thursday: 4-7 p.m., Trim Tab Brewing Co., Lakeview
  • Saturday: 2-4 p.m., Books-A-Million, Brookwood Village, Homewood
  • Aug. 12: 5:30-7 p.m., Neighborhood Hops and Vine, Homewood
  • Aug. 13: 5:30-7 p.m., Neighborhood Hops and Vine, Crestline Park
  • Aug. 14: 5-7 p.m., Little Professor Book Center, Homewood
  • Aug. 15: 1-3 p.m., Vulcan Park
  • Sept. 4: 5-8 p.m., Good People Brewing Co., Southside
  • Oct. 9: 7 p.m., Hoover Public Library

“Birmingham Beer: A Heady History of Brewing in the Magic City” (July 27, Arcadia Publishing)

Carla Jean Whitley

The Birmingham channel: Such sights to behold

Monday, July 27th, 2015

A look at Birmingham in videos …

Keep Birmingham weird? From Igor N. Rykov.

•

An Oxmoor Landing homeowner deals with flooding. From Lisa Antoine.

•

Skateboarding around town in the late 1990s. From Haoyan of America.

•

The first Sloss Music and Arts Festival, filmed on a GoPro Hero 3 and an iPhone 5s. From Anagrace Salem.

•

Birmingham City Schools Band Camp 2015. From Magic Moody Films.

•

Swedish folk duo First Aid Kit performs “Emmylou” at Sloss Fest. From Seth Nelson.

•

The Avett Brothers performs “Walking for You” at Sloss Fest. From Donna Gobbell.

•

Attendees of the first Magic City Con this weekend at the Cahaba Grand Conference Center share their experiences. From Starnes Publishing.

•

Celebrating Birmingham Black Marriage Day in March at the Harambe Room downtown. From CaptuREAL Photo and Design.

•

Soca artist Island Rooster performs at Caribbean Day in June at Linn Park downtown. From Island Rooster.

•

A look at WWE Smackdown earlier this month at the BJCC Legacy Arena downtown. From SmackTalk420.

•

Attempting to fly into the Birmingham airport through a major storm. From Brandon Snider.

•

The competition during June’s Magic City Mega Bowl disc golf tournament at George Ward Park. From The Disc Golf Channel.

•

Promo for OnBoard Birmingham, a program to help regional employers recruit and retain young professionals. From Birmingham Business Alliance.

•

Brandy Wood talks about her guide dog, Rascal, and her work at the Southeastern Blind Rehabilitation Center on Southside. From Starnes Publishing.

•

A look ahead to the Birmingham Bowl’s 10th anniversary celebration on Dec. 30. From Birmingham Bowl.

•

Michael Greer lacrosse highlight reel. From Susan Bryan.

•

Promo for art pieces on Railroad Park from photographer Ginnard Archibald and painter Joseph Longoria. From Ginnard Archibald.

•

Speeches from a rally for Democratic presidential candidate Sen. Bernie Sanders earlier this month at Good People Brewing Company on Southside. From Left in Alabama.

•

Jim Adkins of Jimmy Eat World performs “Polaris” and “The Kill” earlier this month at Saturn in Avondale. From Thomas Kreutzer.

•

A family’s summer outing to the Birmingham Zoo. From Ken Lee.

•

Tennessee country artist Shelby Lee Lowe performs in the Battle of the Bands earlier this month at Tin Roof in Lakeview (our vertical video of the week). From Dollar Bill Lawson.

•

Primus performs “My Name is Mud” at Sloss Fest. From Mike Wallace.

•

Artist Yaacov Agam signs his recently restored “Complex Vision,” a massive kinetic sculpture on the side of the Callahan Eye Hospital on Southside. From UAB News.

•

More. Sloss. Fest. From Pedroam Marashi.

•

Support group UAB Connections holds Dinner in the Dark in June, giving blindfolded diners an opportunity to experience a meal with a visual impairment. From UAB News.

•

• • •

Send us links to your videos. | More videos on the Birmingham channel.

Books: Excerpt from Blake Ells’ ‘The Muscle Shoals Legacy of FAME’

Sunday, July 26th, 2015

Blake Ells

The following chapter is an excerpt from Birmingham author Blake Ells’ “The Muscle Shoals Legacy of FAME” [aff. link]. He is a public relations professional and music journalist, having written for AL.com, the Birmingham Post-Herald, the Birmingham News, Weld for Birmingham and Birmingham magazine.

His book looks at FAME Publishing, the epicenter of the musical revolution coming out of Muscle Shoals starting in the 1960s.

In this excerpt, we see the start of FAME and how Muscle Shoals has felt some, but not all, of its place in music history …

• • •

Chapter 2, FAME

There are a few Muscle Shoals stories of fame. There’s that one, the tale of a community at a crossroads hoping to age gracefully but not knowing how. There’s the fame that existed before the Quad Cities became known as the “Hit Recording Capital of the World,” the foundation that was built by Dexter and Ray Johnson, James Joiner and W.C. Handy’s blues before them. And there’s Florence Alabama Music Enterprises (FAME), the publishing company that evolved into a recording studio founded by Rick Hall, Billy Sherrill and Tom Stafford in 1959.

The original FAME Recording Studios was located above City Drug Store in Florence, Ala., the birth of the acronym that became a proper noun. The partnership dissolved, and the facility moved to another location on the south side of the Tennessee River briefly before Hall built the current studio at its Avalon Avenue location in Muscle Shoals. Arthur Alexander’s “You Better Move On” had achieved immeasurable success, having been covered by the Rolling Stones, and Hall’s empire was born.

The session musicians at FAME were known as the Muscle Shoals Rhythm Section, and the first version consisted of Norbert Putnam, Peanut Montgomery, David Briggs and Jerry Carrigan. It was the second Muscle Shoals Rhythm Section that Lynyrd Skynyrd immortalized as “The Swampers” in “Sweet Home Alabama”: David Hood, Jimmy Johnson, Barry Beckett and Roger Hawkins. Junior Lowe, Spooner Oldham and Duane Allman also spent time in this version of the Muscle Shoals Rhythm Section, but the first four men were the partners who would leave in 1969 to found their own Muscle Shoals Sound Studio in Sheffield. Lowe bridged the divide to the first FAME Gang (a later incarnation of FAME’s rhythm section), Oldham largely stayed until he left for Memphis and Allman would leave to form an eponymous Rock and Roll Hall of Fame band of his own.

The group backed hits recorded by Wilson Pickett, Candi Staton, James and Bobby Purify, Clarence Carter, Arthur Conley, Etta James and, most notably, Aretha Franklin while under Hall’s roof. It was a famous, alcohol-soaked confrontation between Hall and the latter’s husband, Ted White, that is largely responsible for the collaboration’s demise. White was heavily intoxicated, and conflict emerged between himself and a trumpet player on the session. Hall’s efforts to defuse it didn’t help, and Franklin left Muscle Shoals. The Swampers joined her to finish her record and record a few more, including “Respect.” Shortly after their return from New York, their own studio was born, the location that welcomed Cher, Paul Simon and the Rolling Stones.

“In the ’60s and ’70s, there were periods every two or three months that we would have 10 percent of the Hot 100 in the world from our studio,” Jimmy Johnson said. “I think about it now, and I shake my head. I don’t even think we realized what we were doing. We were paying $50 a month for rent on that building. We started cutting some hits. That was the whole key. No hits? No business. We didn’t have to advertise. They’d look at Billboard and Record World and Cashbox, and that’s how they came. Based on the charts. That’s how we got known.”

But the departure of the Swampers wasn’t the end of FAME. Not even close. In 1971, Billboard named Hall “Producer of the Year” as he soldiered on with other incarnations of the Muscle Shoals Rhythm Section, backing several styles of music into the new millennium. The Fame Gang carried on FAME’s tradition throughout the ’70s and ’80s with at least two formal versions but probably three or four: Junior Lowe, Harrison Calloway, Jesse Boyce, Aaron Varnell, Ronnie Eades, Mickey Buckins, Harvey Thompson, Clayton Ivey and Freeman Brown composed the first version, while Ralph Ezell, Chalmers Davis, Walt Aldridge, Jimmy English, Owen Hale and David Barone were the second, but definitive lines of where one group’s tenure finished and another began were blurry.

“I think it was FAME Gang Four or Five, actually,” joked Chalmers Davis.

A 2009 Rock and Roll Hall of Fame inductee, Dewey Lindon “Spooner” Oldham Jr. isn’t usually remembered as being a part of the Swampers. The entirety of his stay in the Muscle Shoals Rhythm Section was under the FAME roof, throughout most of the ’60s. He left for Memphis in 1967 to join his songwriting partner Dan Penn. It’s his organ heard on “When a Man Loves a Woman” by Percy Sledge and “I Never Loved a Man” by Aretha Franklin. With Penn, he penned “I’m Your Puppet” by James and Bobby Purify and “A Woman Left Lonely” by Sledge. His departure from Muscle Shoals paved the way for Beckett’s full-fledged membership into the group.

“My songwriting partner, Dan Penn, had moved to Memphis to work in a new studio called American,” Oldham said. “He was gone a year before I decided to join him there. I was missing the songwriting partnership that we had at FAME. I didn’t want to abandon Rick Hall, and I was loyal to Barry Beckett. He had come up from Pensacola. We were walking from the studio to the grocery store one day to grab a soda pop, and he asked me if he could get some session work, and a light bulb went off in my head. Because [Beckett] could do anything that I did. So he came here, and I went to Memphis.”

Oldham eventually moved to Los Angeles. He backed Bob Dylan, Joe Cocker, Jackson Browne, Bob Seger, the Everly Brothers, J.J. Cale and Frank Black. He recorded Neil Young’s Harvest Moon and Amos Lee’s Last Days at the Lodge. He joined Drive-By Truckers for 2007’s The Dirt Underneath tour. He was a nomad.

“I remember touring with Dylan, and he called me in my hotel room one day, which he never did,” said Oldham. “We’d talk at the gigs and ride to the shows together on the bus. He would sit in his seat, and we’d sit in ours, and you didn’t talk a whole lot. But we were in Boston, I believe. And he said, ‘Would you walk with me to the record store? They want me to sign some records, and I’ve never done that.’ This was in ’80 or ’81. It was winter. I was cold, and I had on a long overcoat, and I said, ‘Bob, I’m cold.’ And he said to me, ‘I like it. It makes me feel alive.'”

In the half century that FAME has served as the centerpiece for the Muscle Shoals music scene, it has been responsible for “You Better Move On” by Arthur Alexander; “Steal Away” by Jimmy Hughes; “What Kind of Fool Do You Think I Am” by the Tams; “Hold On to What You’ve Got” by Joe Tex; “Slip Away” and “Patches” by Clarence Carter; “Mustang Sally,” “Funky Broadway,” “Land of a Thousand Dances” and “Hey Jude” by Wilson Pickett; and “I Never Loved a Man” and “Do Right Woman” by Aretha Franklin. Arthur Conley’s “Sweet Soul Music” was cut in the same room, as were a string of hits by the Osmonds, including “Down by the Lazy River,” “One Bad Apple” and “Yo-Yo.”

As disco took over and sessions slowed, Hall, like his peers at other studios in Muscle Shoals, collected a group of songwriters and shaped the sound of Nashville in the ’80s. Walt Aldridge penned hits for Ronnie Milsap (“There’s No Gettin’ Over Me”), John Anderson (“She Sure Got Away with My Heart”) and Ricky Van Shelton (“Crime of Passion”).

Although FAME sold its publishing company in 1989, a new publishing company was soon formed by Hall and his three sons: Rick Jr., Mark and Rodney. Gary Baker penned one of the biggest hits that FAME was ever responsible for in 1994, John Michael Montgomery’s “I Swear,” a crossover hit that was later covered by pop act All-4-One. Mark Hall added Tim McGraw’s “I Like It, I Love It” to the Halls’ resume in 1996, shortly before joining his brothers Rodney and Rick to buy the remaining shares of the company from their father.

Under their ownership in the new millennium, FAME has scored hits from George Strait, Kenny Chesney, Alabama, Dixie Chicks, Sara Evans, Chris LeDoux, Travis Tritt and Billy Ray Cyrus, among others. Patterson Hood of Drive-By Truckers produced Bettye LaVette’s “The Scene of the Crime” there, and his band recorded “The Dirty South” there. Jason Isbell signed a publishing deal with FAME and recorded his debut, “Sirens of the Ditch,” there before leaving to tour with Drive-By Truckers. His publishing deal with FAME covers his catalogue up to the 2013 critically acclaimed and award-winning “Southeastern.”

James LeBlanc came to town and penned a number of hits, including “Modern Day Bonnie and Clyde,” which he coauthored with Walt Aldridge. The Travis Tritt tune peaked at No. 8 on the U.S. Hot Country chart and remains the singer’s most recent Top 10 hit. He penned “Learning How to Bend,” a Top 10 single recorded by Gary Allan. And LeBlanc wrote “Relentless” with Aldridge’s disciple, John Paul White, for Jason Aldean, a song that reached No. 15. His collaborations connected the past and present of Muscle Shoals as significantly as anyone.

“I met John Paul — he was working at Sam’s [Club] selling computers,” said FAME’s Rodney Hall. “We struck up a friendship there, and I said, ‘Well, why don’t you come over and sing?’ I gave him some of Walt’s tracks, and he came over and sang them. They were country. He wasn’t what he is now.”

This all happened — well, most of it — at a building on the corner of Woodward and Avalon Avenues in Muscle Shoals, Ala. And it’s still happening. The centerpiece, the foundation, the FAME that gave the community fame is a modest structure that has had little renovation and little updating over the majority of its 50 years. It’s nearly hidden now, as a CVS Pharmacy covers it to the Woodward Avenue side. Predictably, a Walgreens faces the historic studio from the other side of Avalon Avenue, while a Pizza Hut and Sweet Peppers Deli surround the building’s eastern side. There’s a mall, Southgate, that is barely surviving nearby, and Muscle Shoals High School isn’t far, either.

But the rest of Woodward and Avalon Avenues are covered with fast food restaurants, liquor stores, check cashing storefronts and doughnut shops. Back then, there was even less. There are affluent people in the community, but there aren’t enough jobs to ensure that there are many. There are teachers, lawyers, bankers and doctors, as there have always been. And there’s the Tennessee Valley Authority, which became the area’s largest employer after Franklin D. Roosevelt signed the Tennessee Valley Authority Act and brought new life to an area devastated by the Great Depression. But the businesses that line the highways of Muscle Shoals proper line the highways of every blue-collar town in America. It’s far less romantic than the sounds it has created, sounds of which the community was unaware.

“In my household, all those songs that David and Roger and Jimmy and Spooner and Dan and all those guys played on, I had heard them a thousand times,” said Greenhill native Jay Burgess, lead singer of Muscle Shoals-based, Single Lock Records product the Pollies. “But I didn’t know that was Spooner playing piano. I didn’t realize that was David playing bass. I didn’t know that that was them. I knew I liked the songs, and I listened to it. I grew up here. I can remember being a kid and driving by FAME, and I’d ask Mom what it was, and she’d just say, ‘It’s a recording studio.’ It wasn’t that big of a deal for these guys — they walked around constantly. You’d see them everywhere. Those two words, ‘Muscle Shoals,’ were never really that big of a deal to me. That was one of the four cities. That’s all it was.”

Musicians came to Muscle Shoals because it wasn’t self-aware, and only now is the community beginning to realize its own appeal. It took outsiders to do that. It took the 2013 documentary “Muscle Shoals” and Billy Reid. It didn’t happen when the Muscle Shoals Rhythm Section, the Swampers or Fame Gang One, Fame Gang Two or Fame Gang Four or Five cut the biggest hits in the world. And if it didn’t happen when Mac McAnally and Donnie Lowery penned “Old Flame” for Alabama, it sure wasn’t going to happen when Patterson Hood tried to make it with a rock ‘n’ roll band with a punk rock attitude in 1991.

It didn’t happen when rumors would fly of acts like the Backstreet Boys sneaking into town during the height of their career, and it hasn’t happened when Alicia Keys has done the same.

Today, Court Street is the center of the Muscle Shoals arts community, but Court Street is in Florence. Rivertown Coffee is a block away on Seminary, and on any given Tuesday, you’ll find John Paul White or Donnie Fritts spending uninterrupted hours sitting at a table enjoying a cup of coffee. Some of it is because the community is polite, but most of it is because the community has no idea the magnitude of celebrity that calls it home.

Athens, Ga., residents won’t hesitate to remind you that they have 60 bars in six blocks. Seattle knows that it was the center of the grunge universe. Austin’s economy has always received a significant boost as the home to South by Southwest. But only recently have Muscle Shoals, Florence, Sheffield and Tuscumbia begun to realize their own appeal.

“If you acted too good, you were bullied,” said John Paul White at the 2013 Billy Reid Shindig. “To our detriment, we don’t want to sing our own praises. Who are we? Who are we to do that?”

Since 1982, the community has hosted the W.C. Handy Music Festival each summer in honor of its namesake native son. And each of those years, the festival, which engulfs every bar, restaurant and street corner in the Quad Cities, has seen musicians who have played on some of the biggest hits that were ever recorded — those hits that were recorded at FAME — jamming on cover versions at parks (like Wilson Park) and chain restaurants (like Red Lobster or Outback Steakhouse). These days, that’s a normal Thursday on Court Street.

David Hood, Scott Boyer, N.C. Thurman, Mike Dillon and Kelvin Holly have spent several years performing as the Decoys. Barry Billings will join half of Jason Isbell’s backing band, the 400 Unit (Jimbo Hart and Chad Gamble), on weekends at DP’s in Sheffield. Rob Malone, who recorded and helped write the first three Drive-By Truckers records, including “Southern Rock Opera,” often performs with Rob Aldridge at bars like On the Rocks. These artists are around, and it’s been that way for 50 years.

Outsiders began to discover the story of FAME, and the community has slowly become self-aware of its own fame.

• • •

Blake Ells will have an appearance Aug. 29 at the Alabama Music Hall of Fame in Tuscumbia. Visit his site for more details.

“The Muscle Shoals Legacy of FAME” (June 29, Arcadia Publishing)

Blake Ells

Also

The Birmingham channel: True heritage

Monday, July 20th, 2015

A look at Birmingham in videos …

Cage the Elephant lead singer Matt Shultz goes crowd surfing during its set this weekend at the first Sloss Music and Arts Festival. From Carson Meadows.

•

Sarah Collins Rudolph receives an award from the Birmingham Pledge at an event commemorating the bombing of the 16th Street Baptist Church. From Sandy Jaffe.

•

Orlando Renegades vs. Birmingham Stallions on May 27, 1985, at Legion Field. Stallions win 41-17. From USFL Forever.

•

Singer Chris Brown performs Dec. 21 at the BJCC Arena downtown. From ChatinWitTrena.

•

A recap of the Chattanooga Lookouts vs. Birmingham Barons. From Big Orange TTM.

•

Birmingham, now whiter than ever. From the Stewart/Perry Company.

•

Ringo Starr and His All Starr Band performs “With a Little Help From My Friends” on Feb. 15 at the BJCC Concert Hall. From Eric Hawley.

•

A look inside the Negro Southern League Museum on Southside. From Alabama NewsCenter.

•

Art’s second trip to St. John Kame Coptic Orthodox Church in Homewood. From Art Nichols.

•

Singer Alvin Garrett hanging with the fellas after a recent performance in Birmingham (our vertical video of the week). From Alvin Garrett.

•

Desmond Gullett sings the National Anthem at the start of a Birmingham Barons game (our other vertical video of the week). From Desmond Gullett.

•

Time lapse of the Birmingham skyline. From Steven Nave.

•

Railroad crossing on 24th Street; note the mechanical bell. From freebrickproductions.

•

A confrontation with a Birmingham police officer over filming federal buildings downtown (our other other vertical video of the week). From Lynwood Golden.

•

Sloss Fest, day 1. From Sloss Music and Arts Festival.

•

Driving through Birmingham at night. From Eric Morgan.

•

Trying out the skid pad at the Porsche Sport Driving School, Barber Motorsports Park in Leeds. From Laura.

•

William Flowers, of the white supremacist group League of the South, speaks at a Confederate monument rally in Linn Park. From William Flowers.

•

A look at the Summer Engineering Experience for Kids at Avondale Elementary. From Alabama NewsCenter.

•

Boston rock band the Pixies perform “Velouria” on May 6 at Iron City on Southside. From treser62.

•

Time Inc. building more test kitchens on Homewood campus. From WIAT 42.

•

Music video for “Take It Away” by Bessemer gospel singer Netra. From Terri D. Smith.

•

A mild disagreement downtown. From LiveLeak.

•

Music video for “Grip” by Birmingham hip hop artist Lil Haze. From Dapper Donn.

•

Music video for “Don’t Close” by Birmingham singer Jou. From UAB Film.

•

Author John Green files an update from the Birmingham-Shuttlesworth International Airport while touring to promote his new movie “Paper Towns.” From vlogbrothers.

•

Jonathan Jackson, star of “Nashville,” and Enation perform “Let the Beauty Out” June 18 at the Nick on Southside. From Outlaw Films.

•

John Oliver discusses the Vestavia Hills High mascot the Rebel Man on “Last Week Tonight.” From Berto Majden.

• • •

Send us links to your videos. | More videos on the Birmingham channel.

The Birmingham channel: Planned outings

Monday, July 13th, 2015

A look at Birmingham in videos …

Soccer fans the American Outlaws watch the World Cup championship match pitting the United States against Japan at Good People Brewing Company on Southside. From ng11787.

•

Jazz singer Esperanza Spalding performs July 1 at Iron City on Southside (our vertical video of the week). From Iris Navarro.

•

Highlights from the second annual Birmingham Black Rodeo in June at Legacy Arena downtown. From Randy Wilborn.

•

Birmingham, the perfect place for the upcoming Southeast Creation Conference, “uncovering the scientific evidence for creation.” From Institute for Creation Research.

•

Iowa heavy metal band Slipknot performs in May at the Oak Mountain Amphitheatre in Pelham. From Brian Kell.

•

Walking the cross near Uptown. From Jesus Is Real.

•

Nashville blues artist Keb’ Mo’ performs “She Just Wants to Dance” in May at Iron City. From treser62.

•

Praise break at the 2012 International AIM Convention in Birmingham. From Dorothea Cast.

•

Hunter Jackson from Birmingham leaves a perfectly good plane. From Chattanooga Skydiving Company.

•

The Church of God in Christ orchestra and the youth choir perform “I Wanna Be Holy” at the 2012 International AIM Convention in Birmingham. From Dorothea Cast.

•

The Birmingham Civil Rights Institute is part of Latino New South, a project designed to put it in touch with the city’s Latino community. From ArtsFwd.

•

Birmingham mayor William Bell addressed the new roundabout and other improvements to Cahaba Road at a ribbon cutting on July 1. From Starnes Publishing.

•

A farm family visits the Birmingham Zoo. From Farmtales.

•

Dweezil Zappa and Zappa Plays Zappa perform Frank Zappa and the Mothers of Invention’s “Sofa No. 2” in April at Iron City. From treser62.

•

Birmingham sunset on June 27. From David McElroy.

•

The American Institute of Architects visits Pratt City on the 3-year anniversary of the April 27, 2011, tornado, documenting progress on neighborhood recovery and community building. From Joel Mills.

•

A look at Operation HOPE Community Service. From LaTanya Millhouse.

•

Teen Caitlyn shares her family vacation in Birmingham. From PassionatexBeautyx.

•

The Yes We Code bus tour stops in June in Birmingham. From Alabama NewsCenter.

•

See episodes from the 7-year run of concert series “We Have Signal.”

• • •

Send us links to your videos. | More videos on the Birmingham channel.

Concert series ‘We Have Signal’ ends 7-year run

Thursday, July 9th, 2015

Video: Ex Hex on “We Have Signal”

The popular Avondale venue Bottletree Cafe closed on March 31 after 9 years of shows, drinks and vegetarian-friendly fare.

Tonight marks the final new episode of “We Have Signal,” the public TV series that brought Bottletree shows to the world.

The concert program aired on Thursday nights on Alabama Public Television since 2008. Some 131 half-hour episodes later, it bows with DC punk band Ex Hex, filmed Jan. 23.

The show won a regional Emmy Award in 2009. Each episode featured performance clips and backstage interviews with musicians. Most of the shows are available on Vimeo.

“We Have Signal” airs at 10 tonight on APT 10.1, with repeats at 10:30 tonight and 11 p.m. Sunday.

“We Have Signal”

Video: The Green Seed and S. Fly, from Birmingham

Video: Beach House, from Baltimore

Video: Cordero, from New York

Video: Ghost, from Tokyo

Video: Monotonix, from Tel Aviv

Video: Waxahatchee, from New York, by way of Birmingham

The Birmingham channel: Echoes of summer

Monday, July 6th, 2015

A look at Birmingham in videos …

Fireworks, part 1, Red Mountain. From Caleb Light.

•

Fireworks, part 2, Oak Mountain. From Corey Scogin.

•

George Washington pulls sword from Dan Meyer at American Village’s Independence Day celebration. From Dan Meyer.

•

Summer 2015 mission trip Project Cam. From World Changers.

•

Performance by band La Dinastía. From Jose Aranda.

•

The Birmingham Grotto trip to Gross Skeleton Cave in Jackson County. From Jeff Harrod.

•

Gadsden native and rapper Yelawolf performs “Catfish Billy” in June at Iron City on Southside (our vertical video of the week). From Yonderhome.

•

Promo for annual charity event Project Homeless Connect. From One Roof.

•

The Birmingham-based Guadalupan Missionary Sisters of the Holy Spirit is a finalist for the Catholic Extension’s 2015 Lumen Christi Award. From cathextension.

•

Fast-food workers go on strike for wages of $15 an hour. From al.com.

•

Birmingham Community Mass Choir performs on “Atlanta Live” in May. From Emanuel Macon.

•

Ashley Roberts and Colleen Perry sing a duet with the Unity Band. From Unity of Birmingham.

•

Performing as Vulcan at DANCEe’s “Vulcanalia.” From Mario Gates.

•

Swimming at the Turkey Creek Nature Preserve in Pinson. From al.com.

•

A look at the 2015 Alabama Auto Show in spring at the BJCC Exhibition Hall. From Griffin Meyer.

•

Behind the scenes of a traveling musical from Highland Christian Church in Asheville, N.C. From Story of God.

•

A jaripeo bull riding competition. From Jose Aranda.

•

Tourists document their visit to Birmingham’s Civil Rights District. From Ian Robinson.

•

Biking group rolls through Mountain Brook. From Wes Douglas.

•

Shooting for Beanie Babies at Children’s Harbor. From United for Life Foundation.

•

See the holiday-appropriate short, “Fireworks.”

•

See one of my favorite PBS shows showcase a Birmingham leader.

•

See Birmingham’s Emmylou Harris perform at the White House.

• • •

Send us links to your videos. | More videos on the Birmingham channel.

Emmylou Harris returns to White House for PBS concert

Wednesday, July 1st, 2015

Video: “In Performance at the White House”
celebrates “The Gospel Tradition.”

The PBS music series “In Performance at the White House” has a familiar face in its latest episode. Birmingham’s Emmylou Harris returned to perform for the salute to “The Gospel Tradition.”

Joined onstage by duet partner Rodney Crowell and Carolina Chocolate Drops’ Rhiannon Giddens, the trio performs the old-time hymn “Leaning on the Everlasting Arms.”

See the performance at 29:32.

The concert took place April 14 and debuted Friday on PBS. Harris performed in 2010 at the White House as part of the Gershwin Prize ceremony for Paul McCartney.

Emmylou Harris, Rodney Crowell, Rhiannon Giddens

From left, Emmylou Harris, Rodney Crowell and
Rhiannon Giddens

‘Roadtrip Nation’ special stops in Birmingham

Tuesday, June 30th, 2015

Video: “Roadtrip Nation” special, “Why Not Us?”
[Birmingham at 35:36]

PBS series “Roadtrip Nation” changed its format for 2015. The reality documentary show typically follows three college-age participants traveling across the country in a green RV to interview interesting people.

The goal is to discover how they ended up where they are in their career, providing inspiration for those seeking the path forward.

This year’s trip covered the same distance in a far shorter period, but still managing to squeeze in a stop in Birmingham.

The four roadtrippers shared one trait: Each one was the first in their family to attend college. And their journey was not shown in a dozen half-hour episodes that usually comprise a full season, but a 1-hour special titled “Why Not Us?”

The team stopped to interview Odessa Woolfolk, founding president of the Birmingham Civil Rights Institute (found at 35:36 in the video). Also featured in the clip is Barry McNealy, a tour guide and high school social studies teacher.

See the interview and its impact on the “Roadtrip Nation” crew.

“Why Not Us?” will re-air on APT 10.2 World Channel at 6 p.m. Sunday, 4 a.m. Monday, 5 p.m. July 7 and 8 a.m. and 2 p.m. July 8.

Roadtrip Nation, Why Not Us?

“Why Not Us?” features (clockwise from top left)
Johnathan Allen, Jennifer Rogers, Jasmine Johnson
and Felipe Hernandez.

Roadtrip Nation - Birmingham

The Birmingham channel: Rolling along

Monday, June 29th, 2015

A look at Birmingham in videos …

Jazmine Sullivan performs “Forever Don’t Last” April 8 at Iron City on Southside. From Vevo.

•

Birmingham N-Scale Modular Club shows off an N-scale layout in Helena. From Route29a.

•

Trucker BigRigSteve rolls southward in his 2012 Peterbilt 386 on I-65 near Birmingham. From BigRigTravels.

•

Special June 12 meeting of the Birmingham Board of Education. From SomewhereITN.

•

Sarah and Jeff Mills’ Doggie Daycare wedding downtown (our vertical video of the week). From Just Happy Hounds.

•

Promo for “HighLife” TV show. From High Life.

•

Atlanta AC/DC tribute band Sin City performs “Riff Raff” earlier this month at the Tilted Kilt in Inverness (our other vertical video of the week). From Henry Perry.

•

An elephant dining out at the Birmingham Zoo. From An Innovative Pursuit.

•

Trailer for “For a Few Zombies More,” the sequel to “Hide and Creep.” Shot in Birmingham. From Chance Shirley.

•

Music video for “Psalm 19” by the Corner Room at Cahaba Park Church. From the Corner Room.

•

Birmingham rock band Massimo Eddy performs “Pickpocket” at the Nick on Southside. From Neurodegenerate.

•

Photojournalist Kerry Robinson’s news demo reel. From Kerry Robinson.

•

Music video for “Escape Plan” from Birmingham band Nowhere Squares. From Nowhere Squares.

•

Jack Royer reports on food relief efforts at the Christian Service Mission for Magic City Miracle, a day of service projects. From Jack Royer.

•

• • •

Send us links to your videos. | More videos on the Birmingham channel.

The Birmingham channel: High hopes

Monday, June 22nd, 2015

A look at Birmingham in videos …

Greater Birmingham Humane Society executive assistant Courtney Underwood explains Just One Day during the organization’s adoption day event. From Starnes Publishing.

•

Vignette on Pepper Place Saturday Market for WVUA-TV. From Catherine May.

•

WBHM (90.3 FM) looks to report Birmingham stories on the economic and cultural revival. From Rachel Lindley.

•

Interviews from the Come Together Birmingham workshop in March at Desert Island Supply Company in Woodlawn. From Rachel Dixon.

•

Liberty Loop, a performance at IMPROVable Fictions in Liberty Park in Vestavia Hills. From Sanspointe Dance.

•

Music video for “Raisin’ Cain” by Mark Collie and the Boxmasters, featuring Billy Bob Thornton. Filmed at Workplay in Lakeview. From Zac Adams.

•

Wes Porter and Marco Garcia Camacho meet once a week at Shades Cahaba Elementary in Homewood to talk about their goals and train for a 5K. From Starnes Publishing.

•

L.A.-based talk show host and Libertarian activist Adam Kokesh speaks May 30 at the UAB campus. From Let’sAlbea4Liberty.

•

Participants in summer camp Girls Rock Birmingham learn about rock music and collaboration through music. From APT IQ Learning Network.

•

Birmingham couple responds to hateful, racist letter. From Fox 5 Atlanta.

•

Drone footage for promo of West Homewood Farmer’s Market. From Kenyon Ross.

• • •

Send us links to your videos. | More videos on the Birmingham channel.

The Birmingham channel: As seen from above

Monday, June 15th, 2015

A look at Birmingham in videos …

Drone footage of Red Mountain and Vulcan Park. From Ken Heron.

•

Drone footage of Vulcan at night. From Michael Mayhew.

•

Garth Brooks performs “Shameless” at the BJCC Legacy Arena this weekend. From Anna Lacy McMains.

•

One Huntsville guest’s guide to Y’all Connect 2015. From Moxie Beautiful.

•

Tuscaloosa’s Deontay Wilder defeats Eric Molina in round 9 of Saturday’s WBC Heavyweight Championship at Bartow Arena on Southside. From ShoSports.

•

Members of the Ringling Bros. and Barnum and Bailey Circus celebrate Blair’s 19th birthday in Birmingham. From HeyoDamo.

•

Soccer match featuring the Birmingham Hammers at the Mississippi Brilla in May in Clinton, Miss. From Mississippi Brilla.

•

Holocaust survivor Ben Karel Benninga shares his family’s experiences during World War II in German-occupied Holland. The lecture took place May 12 at Homewood Public Library. From Birmingham Holocaust Education Center.

•

“The Nearness of You,” performed by Birmingham musicians Chuck King and Tony Lombardo. From King Power Cinema.

•

“It was never my dream …,” a look at clients of Grace House Ministries in Fairfield. From Grace House Ministries.

•

Top 5 Things to Do in Birmingham. From Megan Tsang.

•

“Doggone,” a night of poetry and hot dogs February at the Desert Island Supply Company in Woodlawn. From Jeff Marley.

•

Legacy Arena at the Birmingham-Jefferson Convention Complex gets its signage. From Telegraph Branding.

•

“No More Birmingham,” a public service announcement on ending violence in the city. From Marks Media.

•

The National Transportation Safety Board shares lessons from the 2013 crash of UPS 1354 on approach to Birmingham-Shuttlesworth International Airport. From NTSB.

• • •

Send us links to your videos. | More videos on the Birmingham channel.